Trainings
Training, Classical Training – Agnès Noltenius | HMTM S1
Training, Contemporary – Alexander Hille | HMTM S2
Training, Contemporary – Keith Morino | HMTM S3
Training, Classical – Olivier Vercoutère | Konstanze-Vernon-Saal
Warm-Up – Marc Geifes | HMTM S5
Training, Contemporary – Paolo Amerio | Muffathalle
M.A. Workshop – Ami Shulman | HMTM S4
Framework, Lecture Demonstration: “Creativity as Skill”
Ballett des Staatstheaters am Gärtnerplatz with Karl Alfred Schreiner and Patrick Teschner
Read MorePresentation: EMERGING DANCE ARTISTS (EDA)
Introducing the New, Digital Knowledge Platform for Starting a Career in Dance in Germany,
with Dany Beyer, Johannes Bergmann (DIS-TANZ-START/Dachverband Tanz Deutschland e.V.)
The new online platform EMERGING DANCE ARTISTS (EDA) supports dance students and graduates in successfully starting their professional dance career in Germany. It was developed as part of the completed DIS-TANZ-START funding programme and offers interdisciplinary webinars with experts as well as further resources on the topics of career development, working conditions, health and key qualifications. EDA is freely accessible and serves the sustainable transfer of knowledge and the promotion of self-directed, digital learning.
Short-Panel
Dance On. Making Time Matter
Moderation: Anna Beke, David Russo and students of the Ballet Academy, HMTM with Gesine Moog, William Moore , Julie Shanahan (Tanztheater Wuppertal Pina Bausch), Ami Shulman (Lecturer) and Friedemann Vogel (Stuttgarter Ballett)
In our society, aging is often negatively evaluated, especially in the context of physical performance. However, this life phase can endow dancers with a magical charisma they may not have achieved in their youth. Many choreographers find this artistic potential inspiring, challenging traditional expectations of technical perfection and the glorification of youth. Exemplary contributions from companies like NDT 3 and Dance on Company, as well as numerous solo artists, prompt us all to reflect on the transience and swift evanescence of the dancing moment. The experience brought by the dancers to the stage carries a weight that manifests in their presence, as once best expressed by Jiřà Kylián: „The weight of experience makes the weight they make on the stage.“
Creativity as Skill
with Karl Alfred Schreiner, Patrick Teschner
The Lecture-demonstration of the ballet of the Staatstheater am Gärtnerplatz uses two contemporary choreographies to show different ways of expressing dance. The different choreographic styles and approaches are explained and illustrate the aim of placing the dancer at the centre of our art:
Excerpt from Cryboy by Marco Goecke
Excerpt from Peer Gynt by Karl Alfred Schreiner
